‘Didn’t Die’ Review: Zombie Comedy Has More Humor Than Horror
'Didn’t Die' is a wry zom-com about survival, disconnection, and relevance in a collapsing world—where the undead are less scary than isolation.
Meera Menon’s Didn’t Die begins with a premise that feels almost inevitable in the wake of a world still reeling from global crises: in a zombie-infested America, a podcast host clings to an ever-dwindling audience, desperate to stay relevant even as civilization collapses. But beneath its wry humor and monochrome aesthetic, the zombie comedyDidn’t Die is less about the undead and more about the isolation that lingers even when survival is technically possible. How do we communicate when everything we once relied on — community, culture, even basic infrastructure — has crumbled? And when you’re broadcasting into the void, who’s really listening? And does it matter?
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